People First - Achieving Balance in an Unbalanced World

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His company helps business leaders overcome the two greatest obstacles to achieving their goals: low engagement and poor execution. Jack is a human spirit specialist who shows leaders how to unleash the power of people. He is committed to valuing, honoring, and celebrating the human spirit of every person he meets, which is the expression of his People First philosophy, which emphasizes truth in all things, wisdom in all things, and excellence in all things. Jack is an author, consultant, and international speaker who has been engaging and inspiring audiences for 40 years.

As a market leader, Brikley delivers building owner value through design excellence, multiple options, code compliance, and long-lasting durability. If you choose us, we can provide best toilet partition systems for you. From the camping tent to backpack to crossbow, you can totally expect our regular update of the latest in-season reviews of outdoor products. In such a state, flow and balance are irreconcilable.

And compared to flow, balance seems, for lack of a better term, boring.

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And yet there is still a cost of pursuing something full-on: all of the other things that you leave behind as a result. There are also risks inherent to having your identity tied up in a single activity — mainly, what happens when doing that activity is no longer an option? I think far better than striving for balance is striving for what psychologists call internal self-awareness, or the ability to see yourself clearly by assessing, monitoring and proactively managing your core values, emotions, passions, behaviors and impact on others.

Someone with keen internal self-awareness is able to separate the acute euphoria of being fully immersed in a pursuit from the long-term consequences of doing so. Practicing internal self-awareness allows you to honestly evaluate and re-evaluate the trade-offs inherent to living an unbalanced, flow-filled life. Visual balance is similar.

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Physical weight is replaced by visual weight. The direction in which the physical weight acts is replaced by visual direction. Rather, you use your eye to determine whether a composition is balanced. Just as in the physical world, visual balance is a good thing.

People First: Achieving Balance in an Unbalanced World (People First Series)

An unbalanced composition can feel uncomfortable for the viewer. Visual weight is a measure of the visual interest of an element or area in a design. When a composition is visually balanced, every part of it holds some interest. The visual interest is balanced, which keeps viewers engaged with the design. Without visual balance, viewers might not see all areas of the design. Any information in those areas could easily go unnoticed.

You would balance a design visually because you want to balance the points of interest in your composition, so that viewers spend time with all of the information you want to convey.


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The images in the previous section show two of them. The first image is an example of symmetrical balance, and the second is an example of asymmetrical balance. Two other types of balance are radial and mosaic. Symmetrical balance occurs when equal weights are on equal sides of a composition, balanced around a fulcrum or axis in the center. Because half of the composition mirrors the other half, at least half of the composition will be rather predictable.

Asymmetrical balance results from unequal visual weight on each side of the composition. One side of the composition might contain a dominant element, which could be balanced by a couple or more lesser focal points on the other side. One visually heavy element on one side might be balanced by a handful of lighter elements on the other.

Asymmetrical balance is more dynamic and interesting.

It evokes feelings of modernism, movement, energy and vitality. Asymmetrical balance offers more visual variety, although it can be more difficult to achieve because the relationships between elements are more complex. Radial balance occurs when elements radiate from a common center. Rays of sunlight and ripples in a pond after a stone is tossed in are examples of radial balance.

Because everything radiates from a common center, everything also leads to that center, making it a strong point of attraction. Mosaic balance or crystallographic balance results from balanced chaos. Think Jackson Pollack paintings.

The composition lacks distinct focal points, and the elements share a uniform emphasis. The lack of hierarchy leads to visual noise at first glance. Somehow, though, it all works together. Both symmetry and asymmetry can be used throughout a composition, independent of, yet while contributing to, the final balance.

You can have symmetrical forms in an asymmetrically balanced composition and vice versa.

Symmetry is usually seen as beautiful and harmonized; however, it can also be seen as static and dull. Asymmetry tends to be more interesting and dynamic, despite not being regarded as intrinsically beautiful. Reflection symmetry or bilateral symmetry occurs when everything is mirrored around a central axis. Everything on one side of the axis is mirrored on the other side. A human face and a butterfly are examples.

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People First: Achieving Balance in an Unbalanced World: People First Series (Unabridged)

When the reflection is a perfect mirror image, the symmetry is said to be pure. The symmetry can even occur over multiple axes at the same time. For example, the left and right half of a composition could mirror each other, while the top and bottom also mirror each other. Snowflakes show reflection symmetry over more than two axes. Rotational symmetry or radial symmetry occurs when everything rotates around a common center.

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The petals of a sunflower are an example. Rotation without reflection can be used to show motion, speed or dynamic action. Think of the spinning wheels of a moving car.