Safe in Their Alabaster Chambers by Emily Dickinson - an Analysis

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Diadems - jewelled crowns. Doges - elected leaders of Venice up to and Genoa up to Irony in Safe In Their Alabaster Chambers From the opening word of this poem there are ambiguities that pose a challenge. Further Analysis Rhyme There are obvious full end rhymes in this poem which help to bind the lines together and make it easier to remember. Anaphora The repeated use of Untouched in line two helps to reinforce the idea that the dead are in timeless zone and have no contact whatsoever with the rising sun, which is a symbol of Christ.

Metaphor Chambers are bedrooms but the dead are in their tombstones? Emily Dickinson must have known about this when she wrote in a letter to Abiah Root: 'some of my friends are gone, and some of my friends are sleeping - sleeping the churchyard sleep -' Metonymy Diadems, jewelled crowns, represent all kings and rulers. That Mysterious Last Line Soundless as dots on a disk of snow.

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Analysis of Poem Safe in their Alabaster Chambers

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  7. You can use this to streamline signing up for, or signing in to your Hubpages account. No data is shared with Facebook unless you engage with this feature. This supports the Maven widget and search functionality. This is an ad network. Safe in their alabaster chambers, Analysis Emily Dickinson Characters archetypes. Sparknotes bookrags the meaning summary overview critique of explanation pinkmonkey. Quick fast explanatory summary. Light laughs the breeze in her castle of sunshine; Babbles the bee in a stolid ear; Pipe the sweet birds in ignorant cadences, -- Ah, what sagacity perished here!

    Grand go the years in the crescent above them; Worlds scoop their arcs, and firmaments row, Diadems drop and Doges surrender, Soundless as dots on a disk of snow. Dots on a disc of snow is a very literal observation. When snow falls, the impurities in the air mix with the flakes. The encased black dots, surrounded by whiteness, settle to earth everywhere. In this case the circle of a birdbath could easily be the reason for the disc form.

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    We go from the unthinkably huge rounds of years in a crescent, worlds in arcs and firmaments rowing, to the circle of the Diadems dropping, and end on the prosaic silent dots on the disc of snow in the garden birdbath. It moves from the grand to the prosaic. The poet made these juxtapositions in the previous two verses as well, because the sleeping who wait for resurrection are surrounded by the completely still and dead cloth and stone.

    The next verse shows what is taking place outside--nature's movement, breezes and bees and birds, the motions and sounds of life. Then the third verse expands to the largest motions of passing time, before collapsing back to the most prestigious humans having to surrender to silence, the stillness which is death, and which is always here even in these humble dots. The last line is not such a puzzle. It is a summation that focuses her sweep down to a point. In the end, we are like those dots, those specks, and are silent. Shethra Jones-Hoopes Posted on by a guest. The primary reason for Emily's choice of the word "safe" is to express how "unsafe" she feels life to be.

    Along with the rest of the poem, this word directs us to the uncertainty and constant change which surrounds the living, while the whole question of whether our consciousness survives death is only suggested or affirmed by the words "sleep the meek members of the resurrection" to eternal life which simply echoe the words of a Christian priest during a funeral service.

    One can see the image of a melancholic recluse looking out of her window at nature, rather than a poet Elizabeth Barret Browning or even Allen Ginsberg for example unafraid to get into human relationships and write about them! Posted on by a guest. Notify me of new posts via email.

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